BIBLIOGRAPHY
Smith, Cynthia Leitich. 2001. Rain is not my Indian name. New York: HarperCollins. ISBN
9780688173975
PLOT SUMMARY
Cassidy Rain Berghoff shuts herself off from the world after
the death of her best friend. When her Aunt Georgia invites her to participate
in Indian Camp, she cautiously steps out into the world without Galen but from
behind a camera. Gradually, Rain discovers she can become an active participant
in life again.
CRITICAL ANALYSIS
Cynthia Leitich Smith captures parts of herself in the
character of Rain. Like Smith, Rain is a mixed blood, that is, part Native
American (Indian, as she calls herself) mixed with a variety European heritage
who grew up in Douglas County, Kansas. Throughout the book, including the
title, stereotypes of Native Americans are challenged. The events presented in
this book are not what one might consider “typical” for this culture. However,
none of it is inaccurate.
First is the name. Rain’s name has no sacred connection;
instead, it is a reminder of the stormy day her parents first met. Second is
the customs. Rain and her family live in small town suburbia—not a reservation.
She has a life common among American teens: school, chores, and heartbreak. A
third anomaly is the family. Rain’s mom passed away, and her dad is stationed
in Guam. Her grandfather, who is in Las Vegas most of the book, is in charge of
Rain’s wellbeing. Rain’s older brother and girlfriend live in the house with
her and watch over her. The characters do not misrepresent Native Peoples; they
simply show how a modern family lives life.
Rain’s interactions with other Native Americans in the story
are interesting. Queenie, known as the only Black girl in town, discovers her
Native ancestry and joins Indian Camp. The significance of heritage varies in
the other group members. Some closely follow Indian traditions; others have
assimilated into Midwest culture.
One interesting cultural interaction is between Rain and the
Flash, a local reporter with whom Rain does a story about Indian Camp. In a
discussion about Rain finding it difficult to be mixed blood, the Flash brings
up his Jewish heritage. Rain’s immediate response, before stopping herself is,
“You don’t seem Jewish,” as if Jews had a particular look or personality. Rain
stereotyped the Flash, a Jew, the way many people stereotype her Native family.
The story takes place in the fictitious Hannesburg, Kansas. The
location matches the story well because the focus of the story is not solely on
Rain’s culture. The main theme in the story is not how a mixed blood Indian
copes in suburbia but how a teenage girl copes with the loss of a mom and best
friend, a dad stationed in the Pacific, a brother who lacks communication
skills, an absentee grandfather, an overzealous aunt, and a prissy turned rebel
future sister-in-law. Smith discloses in her author’s note that the real
Douglas County is home to some Native American communities, which gives the
story more validity.
Practices that one might associate with Native Americans are
missing from this story. Rain, in her journal entries, accounts of times her
mother took her to powwows and Indian celebrations, but Rain does not now
follow those customs. Her dad is of European heritage and encouraged his family
to follow that rather than the Native customs. Even when choosing a gift for
her future niece or nephew, she called the dreamcatcher “trendy” (p. 71), as in
a typical or common Native American gift.
At Indian Camp, the activity the kids participated in—pasta bridge
building— was more of a teambuilding event than learning about tradition or
culture. While readers looking for more of a Native American experience in this
book may be disappointed, others might appreciate how a strained friendship is
mended while other relationships are built over less than cultural proceedings.
The layout of the books is interesting. Rain provides parts
of her past through journal entries, which open each chapter. Each entry gives
readers a bit of background knowledge before proceeding to the next event in
Rain’s current situation.
Even with a plot
lacking a grabbing climax, the reader will enjoy the journey with Rain as she
gradually tears down the walls she has built since Galen’s death. It makes
readers think about their methods for coping, how to encourage resiliency, and appreciating
the life that is yet to live.
AWARDS AND REVIEWS
Oklahoma Book Award, 2002 Finalist Children/Young Adult
Wordcraft Circle of Native Writers & Storytellers Award
Winner, 2001
H.W. Wilson Middle and Junior High School Library Catalog, Best
Book, 2005
“This rendering of a contemporary family of Native American
heritage is wonderfully far from stereotypical ‘dreamcatchers, the kind with
fakelore gift tags.’” –Children’s
Literature, 2001.
“Tender, funny, and full of sharp wordplay, Smith's first
novel deals with a whole host of interconnecting issues…” –Kirkus Reviews, 2001
CONNECTIONS
Pasta Bridge
Using the materials described in the text on page 57, work
in a team to build a pasta bridge. A class competition will determine which
team created the strongest bridge. As a reflection or assessment activity,
students will create a brainstorming map on Popplet (www.popplet.com) to name and describe the work
contributed by each partner.
Extra! Extra!
In pairs, scout out a local event (book fair, sporting
event, concert, club activity, etc.) on which to report. Create a newspaper
layout with the article, photographs, and even an editorial. Combine the class’s
news stories to make an entire newspaper edition.
Artifacts
Rain mentions how “trendy” Native American artifacts, such
as dreamcatchers, have become. Choose one Native American artifact to learn
more about. Create an Animoto video presenting the artifact along with how it
was/is used, who used it, and how/if it is used today.
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